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	Search results for Right:    Refine your search Creator 4 () 2 () 2 () 2 () 2 () Show more... results 61-80 of 152 item(s)  page 4 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 61. [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned. 62. [Bookplate for Hugel] Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text. 63. [Bookplate for Iser Steiman M.D. by A. N. T.] Black ink on cream paper. Man, no shoes, chest bare, book hugged against torso with left arm, while right arm holds open a book held at eye level. Sunlight illuminates the man. Deciduous tree in foreground. Hills in background. 64. [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle. 65. [Bookplate for J.E.G. Bibliothèque] Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections. 66. [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections. 67. [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections. 68. [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso. 69. [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap. 70. [Bookplate for James Fielding Sweeny] At the top center of the bookplate is a mitre with a crosier on the left side and a banner on the right side. Below that is a crest with argent (silver) background, divided by per pale ; on the sinister side, a mitre and key are crossed, with a coronet, two books, and a dove, holding an olive branch. On the dexter side, two battle axes crossed above two boars, rampant, counterpassant. Beneath that is another crest, divided per pale. The sinister side has an argent background and two battle axes, crossed, above two boars, rampant, counterpassant. On the dexter side, is a lion, rampant. At the base of the bookplate is an alley of columns. 71. [Bookplate for James M. Wishart by Leslie Victor Smith] Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner. 72. [Bookplate for James Scott Howard] Black ink on cream paper. Crest features a ship’s steering wheel with stringy foliage extending from the left and leafy foliage extending from the right atop a crest-wreath. Shield is sable and party per fess. Top section is charged with a white cross in the center with a fleur-de-lis on either side. The bottom section is charged with a white ship steering wheel that is identical to the one in the crest. The motto is printed on curling ribbon below the shield in capitalized, serif, white block font with black outline. Below the motto, the bookplate owner’s name Is printed in sentence case, black, serif font. 73. [Bookplate for Jenkins] Black ink on cream paper. The crest features a furry lion passant reguardant standing atop a castle tower. The castle tower is above a crest-wreath. Elaborate, curling, feathery black and white mantling extends from the top of the shield and expands out along the sides. The shield is divided per pale. The left section has a white background with black dots and is charged with a black lion rampant reguardant. The right section of the shield is charged with a bird perched on a tree branch growing out of the ground. There is no background except for the branch and ground that is lighter on top and darker at the bottom. The motto is printed on a curling ribbon below the shield. There is shading on the ends of the ribbon. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in a more stylized, paler, capitalized, black serif font underneath the motto. 74. [Bookplate for John Allen Brown by C. Bird] The bookplate portrays a prehistoric scene shown from the perspective of a fur-clad man and woman looking from inside a cave towards a primitive wilderness scene (with stags and a mammoth). The image is framed by an assortment of artifacts, such as vases, swords, axe heads, flints, and other weapons. At the right bottom of the frame is a dagger with a flag inscribed with the initials "S.P.Q.R." an acronym for the Latin phrase "Senatus Populusque Romanus" ("The Senate and Roman People"). Below the picture is an open book on the left side of which is a shield and on the right side the bookplate text. The shield is blue with a gold chevron and three clams. At the top of the shield is mantling and closed helmet signifying esquire or gentleman. On the left side of the shield is a banner reading: "MENTE ET MALLEO." 75. [Bookplate for John Hamilton by Francis Adams Sc.] Black ink on cream paper. One motto is printed on a ribbon with ends that extend to two points at the top of the bookplate. Motto is printed in capitalized, serif block letters. Below that motto is a crest featuring a leafy tree growing out of a crown. The crown’s points are rounded and leafy. The base of the crown is decorated with horizontal diamonds. The tree trunk grows through a picture frame with a saw attached to the center. The free is growing through this frame/saw object and has extensive, dense foliage. The entire crest sits atop a twisted wreath. The shield has extended points to the top left and right and the bottom curls to a point. The shield is sable and argent, divided per quarterly. The top left and bottom right sections are sable and charged with three white flowers, two over one. The flowers have distinct round centers and five individual, separate petals. The top right and bottom left section are argent and charged with a Viking-style ship with three oars, a flag pointing to the left at the front and rear of the ship, and a tall mast. The sail is rolled up on the mast in a horizontal line. Four lines extend from the sail down to the ship. There is a flag at the top of the mast, with two lines extending down to the sail. Curlicue mantling decorates the shield from the base upwards. A second motto is printed on a ribbon with two pointed ends at the base of the shield. The text is printed in capitalized, serif, black font. The name of the bookplate owner is printed below this motto in thin, sentence case, cursive font. In the bottom right corner the name of the bookplate creator is printed in small, italicized, sentence case black font. 76. [Bookplate for John Jenkins D.D.] Black ink on white paper. The crest features a white lion passant reguardant with black spots standing on the top portion of a stone castle tower. The tower sits on a crest-wreath. The shield is divided per cross. Around the shield is a curling border with leafy adornments and spirals on the sides. The border is thicker on the left, right, and bottom portion. The border does not cover the entire shield ; there are gaps at the top left and right corners and at the center of the base. The top left and bottom right sections of the shield are identical. They have a black and white striped background and are charged with a white chevron decorated with black dots. They are also charged with three white fleur-de-lis, two over one around the chevron. The top right and bottom left sections of the shield are also identical. They have a white background with black dots and are charged with a black lion rampant reguardant. Below the shield, the motto is printed on a ribbon with leafy ends that match the shield’s decorative border. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed underneath the motto in thin, sentence-case, black, cursive font. 77. [Bookplate for John Lomar] This heraldic bookplate consists of an escutcheon, parted per cross. Quarters one and four are parted per pale ; on the left, or (gold), and the right, sable (black). The quarters have a bend cotised, ermine, charged with three escallops apiece. Quarter two is argent (silver), charged with a gryphon rampant. Quarter three is argent, with a cross, sable, with engrailed borders. The quarter is charged with four roundlets, two over two (cantoned). Above the escutcheon is a curved wreath, charged with a crown vallary, and a demi-lion, its arms erect, clutching an escallop. Below the escutcheon is a banner, with Latin motto within. 78. [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation. 79. [Bookplate for Joint Board of Theological Colleges] Black ink on cream paper. An ornate banned frame with leaf sprigs houses the text. At the bottom of the frame, the letters MTD are incorporated amid a sprig. The outside of the frame is decorated with a repeating leaf pattern. The corners of the frame are four shields. The top left tablet shield is dotted (gold) and charged with an undecipherable center object. An open book sits atop the shield. The top right tablet shield is horizontally lined (azure) and charged with a downward facing bird (dove) at the chief and an open book at the base. A tree sits atop the shield. The bottom left Norman pointed shield is horizontally lined (azure) with a cross (argent). It is charged with an open book with writing over the center of the cross. A coronet sits atop the shield. The bottom right spade shield is blank (argent) and is charged with an anchor. A mitre sits atop the shield. 80. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font. select all : clear all : add to favorites results 61-80 of 152 item(s)  page 4 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next
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